"Don’t think of what you share as information. Even if what you share is information, by sharing it, you are telling the world that it is information that you affirm in some way. It is the affirmation that counts. We share what we love. Even when we share details about things we despise, they are things we love to hate. Love is the key to understanding how we contribute to social media commons. We populate the commons with expressions of love."
Tim Rayner, The gift shift: what’s social about social media? (August 2012)
So even scorn is a form of affirmation. The comedian who devotes his spleen to the latest reality show is thereby contributing (in a complex post-modern fashion) to the show's success. Daniel Smith describes this as alternative consumption, and sees Charlie Brooker as a modern version of Baudelaire.
Daniel Smith, Spleen and Modernity: Baudelaire and ‘alternative’ consumption (July 2010)
The Royal Television Society may pretend that Charlie Brooker represents the high-brow alternative to Simon Cowell. But Brooker's material is basically the same as Cowell's, it just has a different sentiment. They obviously need each other.
Jonathan Harwood, Cowell and Morgan beaten by Brooker and Theroux (The Week March 2010)
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